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Welcome to Natia Malazonias artistic journey!
Natia is incredibly proud to have been born in Georgia, in Tbilisi. Reflecting on her roots, she is filled with pride and joy, knowing that her homeland, with its rich history, culture, and tradition, has deeply shaped who she is today.
Natia often talks about how much her close extended family means to her and how they have a big impact on her life. She says, 'I am deeply grateful for the role my family has played in my personal growth. I feel truly blessed to have such a supportive family, whose unwavering love and guidance have been essential in shaping the person I am today. Words cannot fully express my gratitude to my parents—their contributions are unforgettable, and their constant strength and encouragement continue to inspire me.
"I am incredibly proud of my wonderful husband and my son. They are always there for me, offering support and encouragement, which allows me to fully dedicate myself to my professional work. I am so grateful for their constant help and love."
Natia says: "I don't remember a time when I wasn't drawing or creating handmade items—it's as if I've been immersed in art since birth. Despite the health challenges I face, I will never leave art behind. My most cherished techniques, which are boundless and inexhaustible, will always live on in me. I have a deep love for nature and music, both of which are always a part of me and likely influence my art. It brings me great joy to share the knowledge I've gathered with others."
After graduating from the Art Academy in her homeland, Natia embarked on an internship at the Tapestry and Art Textile Museum, where she had the privilege of studying various techniques that have profoundly influenced her work. Tapestry and Art Textile Technique method not only refined her understanding of composition and design, but also taught her the importance of intricate detail in creating striking, layered works of art. The process of drawing, designing, and working meticulously with partitions continues to inspire and shape her creative vision, allowing her to create pieces that are visually captivating and richly textured.
A key moment in Natia's artistic journey happened when she visited the Georgian National Museum in Tbilisi and saw the stunning Khakhuli triptych icon for the first time. The Khakhuli triptych is a medieval Georgian repoussé icon that incorporates over 100 examples of Georgian and Byzantine cloisonné enamel from the 8th to the 12th century. The Khakhuli triptych is the world's largest cloisonné enamel, measuring 116 cm x 95. The Khakhuli triptych made an indelible mark on Natia.
Natia remembers how the icon seemed to speak to her, its timeless beauty inspiring her to learn the art. In that moment, she made a promise to herself to focus on studying cloisonné enamel, even with all the challenges ahead.
At that time, her passion and determination led her to discover the renowned "Ornament Art Gallery" in Tbilisi, She mastered the detailed art of cloisonné enamel in Georgia, studying under experienced artisans who shared their knowledge of this ancient technique. This royal technique has captivated Natia ever since. The lessons she received there were not just about technical skills—they were a profound connection to the divine, a gift she will always cherish.
Natia Malazonia: The Gallery Ornament in Tbilisi stands as a crucial institution in the revival of Georgian enamel artistry.
Now, cloisonné enamel has become as essential to her as air itself; without it, life would lose its color and meaning.
The cloisonné enamel technique began in Georgia as early as the 8th and 9th century. This intricate method of decorating metalwork with colorful enamel flourished during the medieval period, particularly in the context of Georgian religious art. It was used to adorn religious artifacts such as icons, crosses, and jewelry.
The art continued to evolve in Georgia until the 15th century, which is considered the golden age of Georgian Cloisonné Enamel. Many famous stories are tied to specific works from this period, one of the most well-known being that of the Khakhuli Icon. Stolen from the Gelati Monastery in 1859, it wasn’t returned to Georgia until 1923, with the period in between remaining shrouded in mystery.
In the 20th century, the cloisonné enamel technique was at risk of being lost. However, a group of passionate enamel artists worked hard to bring it back. Today, Georgian cloisonné enamel is a well-known symbol of true culture for tourists and travelers searching for an authentic piece of heritage.
Natia Malazonia:
Each enamel technique, in its own right, is a captivating journey, shrouded in mystery and allure. These secrets beckon you, unfolding endless discoveries and imparting new wisdom with every step, should you choose to follow its path to the very end.
I love exploring different techniques, always driven by the feeling that there’s something I must do in life. At times, I feel as though I can't fully achieve what I envision, often hindered by health challenges. Despite this, I sense a deep mission to pursue what I am meant to do, and perhaps, it's this sense of purpose that brings me a form of happiness."
I strive to blend tradition with innovation in my work.
Natia's main goal is to create a lasting legacy that honors the beauty of cloisonné enamel and encourages others to keep it alive for many years.
Having spent over 27 years honing her craft, Natia now feels a deep desire to share her knowledge with others. She teaches a variety of mediums, including cloisonné enamel, mosaic, acrylic painting, oil painting, and mixed media. Each technique offers its own unique challenges and rewards, allowing for the creation of stunning works of art. Natia draws deep inspiration from painting in nature, where she fully immerses herself in the beauty of the natural world. Surrounded by the bright colors, calming sounds, and changing views of nature, she feels deeply connected to her surroundings. This connection sparks her creativity, giving her many ideas and emotions that enhance her self-expression. The peace and balance of nature are always a source of inspiration, helping her bring fresh and exciting ideas to her art.
Sharing her passion with her students and witnessing their enthusiasm for the techniques fills Natia with immense joy.
Natia Malazonia invites others to join her on this creative journey, exploring the beauty and intricacy of cloisonné enamel together. She believes that by nurturing this art form, they can celebrate the fusion of tradition and innovation, making the technique timeless.
There are numerous enamel techniques, each with its own unique appeal and charm. Each enamel technique offers different possibilities for color, texture, and design, contributing to the rich diversity of enamel art across cultures.
I'm delighted to hear that there are so many enamel artists around the world, each with their own distinctive style. We connect with one another, united by a shared mission: to preserve and promote this art form, ensuring it is passed down to future generations. This sense of community and collaboration is truly special. I hold deep respect and appreciation for all my fellow artists.
Natia Malazonia: "If you feel the magic of Cloisonné Enamel or other techniques, you will always love it for the rest of your life!"
Doctoral Degree faculty of Chemical Technologies and Metallurgy
https://www.artisspectrum.com/artbeat/georgia-the-home-of-cloisonne/
https://art-mine.com/collectors-corner/2016/09/natia-malazonia-cloisonne-enamel/
2019 ARTEXPO NEW YORK | APRIL 4–7 | PIER 90
2022 ARTEXPO NEW YORK
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